Swiss Institute Email Formats

Museums, Historical Sites, and Zoos • Manhattan, New York, United States • 21-50 Employees

Swiss Institute Email Formats

Swiss Institute uses 2 email formats. The most common is {first name} (e.g., john@swissinstitute.net), used 61.5% of the time.

Format	Example	Percentage
{first name}	john@swissinstitute.net	61.5%
{first initial}	j@swissinstitute.net	38.5%

Key Contacts at Swiss Institute

Stefanie Hessler

Director

Thymaya Payne

Director Of Advancement

Mojdeh Cutter

Director Of Partnerships & Timeforart

Company overview

Headquarters	38 Saint Marks Pl, New York, 10003, US
Phone number	+12129252035
Website	swissinstitute.net
NAICS	712
Employees	21-50
Socials

About Swiss Institute

Founded on May 7th, 1986, the Swiss Institute was officially registered with the State and City of New York as an independent, not-for-profit organization on September 12th, 1986. The Swiss Center Foundation provided important support helping the Swiss Institute to start its program. In 1990, though the Swiss Institute is not affiliated with the Swiss government, the Swiss government agreed to give the Institute an annual contribution, in addition to the amount already awarded by Pro Helvetia, the Art Council of Switzerland. Both contributions were and continue to be approved by a committee of experts. Between June 30, 1992 and June 30 1995, corporate contributions more than doubled. In 1994, the Institute moved to a large loft in SoHo, in the center of the New York art scene, where there is an interested art audience. The loft's raw space was constructed to museum-standard specifications by architects Pagamenta & Torriani. The Swiss Institute has grown from a showcase of Swiss art and artists for a mostly Swiss audience, into an innovative international venue for art that provides a significant forum for cultural dialogue between Switzerland, Europe, and the United States. This unique angle fosters the interaction between the Swiss and the many other communities and nationalities found in New York City. The result is a distinctive view of art and a way of thinking which asks audiences to break with traditional assumptions about art and national stereotypes.